Questions for thought
Pertinent Question for
"Landscape of Dreams"
Answers
| Add an answerAdd Answer:
Please Login to add an answer.
overview
Artist
Shao Mi邵彌
Title
Landscape of Dreams
Dynasty Ming dynasty (1368-1644)
Period 17th century
Format Transverse Album
Medium ink and color on paper
Accession Number 70.18.1
Dimensions
Overall: 11 7/16 x 17 in. (29 x 43.2 cm)
Provenance
Jean-Pierre Dubosc
Credit
Line
Eugene Fuller Memorial Collection
Quick Facts about the Artist
inscriptions and seals
related works
Questions for Thought
comments
| add
a comment
22162
exhibition and publication history
Bibliography
Arboretum Foundation. The University of Washington Arboretum bulletin. Seattle, Wash: University of Washington Arboretum Foundation. Spring 1986, 44(1), pp. 11-13.
Asia Society. Archives of Asian Art XXV. (New York, N.Y.: Asia Society. 1971-1972), p.106, fig. 43(B).
Cahill, James. The Lyric Journey. (Cambridge, Mass.: Harvard University Press, 1996), pp.124, 126.
Cahill, James. The compelling Image: Nature and Style in Seventeenth Century Chinese Painting. (Cambridge: Harvard University Press, 1982). pp.79, 80, 82.
Cahill, James. THE LYRIC JOURNEY. Cambridge, Mass: Harvard University Press, 1996.
Cahill, James. The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 1570-1644. (New York: Weatherhill, 1982), pp.59-62; Color plate 5; Plate 18.
Candlin, Enid Saunders. “A Portent of Changes to Come.” The Christian Science Monitor (Sept. 18, 1978) 24.
Gray, Basil. “The Arts of the Ming Dynasty”. Transactions of the Oriental Ceramic Society, 1955-1957, vol. 30, pp. 19, 61 (#55), pl. 22 #55 (2 leaves).
Ko, Audrey A. “Chinese Gardens: Principles of Design.” University of Washington Arboretum Bulletin Vol. 44 #1 (Spring 1981) 11-13.
Lin, Shuzhong, & Hu, Guanghua林树中. 胡光华. Haiwai cang Zhongguo Lidai Minghua: Diliu Juan海外藏中国历代名画. 第六卷. Chang sha: Hunan meishu chubanshe湖南美術出版社. 1998, p210.
Munakata, Kiyohiko. Sacred Mountains in Chinese Art. (Chicago: The University of Illinois Press, 1991), pp. 146-147.
Ni, Mingkun . Xiyatu mei shu guan zhong de zhong guo wen wu 西雅圖美術館的中國文物. The National Palace Museum Monthly of Chinese Art,故宮文物月刊. 1984, 6(2), 20-23, p23.
Henry Trubner, William Jay Rathbun, and Catherine A. Kaputa. Asiatic art in the Seattle Art Museum: A Selection and Catalogue. (Seattle: The Museum. 1973), p.188, #155 (color plate p.61).
Sirén, Osvald. Chinese Painting: Leading Masters and Principles (New York: Ronald Press. 1956), vol. V, p. 33, pl. 284 A, B and Lists, vol. VII, p.222.
Toda, Teisuke and Hiromitsu Ogawa. Comprehensive Illustrated Catalogue of Chinese Paintings: Second Series. (Tokyo: University of Tokyo Press, 1998), A55-041, p. I-362, I-266
Watson, William. The Arts of China, 900-1620. (New Haven: Yale University Press, 2000), p.217; figs. 329, 330.
Yang, Lucy Lo-hwa. The Wu School in Late Ming, Ⅱ: Innovative Masters, The Restless Landscape: Chinese Painting of the Late Ming Period (San Francisco: University Art Museum, Berkeleym, 1971), pp. 61-62, pl. 19, p.72 (A#1) in color.
Zhu, Huiliang 朱惠良. Zhao Zuo Yanjiu趙左研究. (Taibei: Guoli gugong bowuyuan, 1979), p.85.